ARTS: TAMIU Symphonic Band ends semester with Overture to the Finale
By Dilean Mendez
Bridge Staff Intern
Published Friday, May 1, 2026
Blending energy, emotion and technical skill, the Texas A&M International University Symphonic Band closed the semester with its spring concert Overture to the Finale on April 17 at the Center for the Fine and Performing Arts Recital Hall.
Under the direction of Associate Professor of music James Moyer, the concert featured a variety of pieces that showcased both the full ensemble and individual performers. The evening opened with Franz von Suppé’s “Poet and Peasant Overture,” which set a dramatic yet playful tone. The band then transitioned into Percy Grainger’s “Country Gardens,” led by student conductor José Hernández, bringing a lighter and more familiar sound to the program.
TAMIU’s Symphonic Band performs during the Overture to the Finale in the Center for the Fine and Performing Arts Recital Hall on April 17, 2026.
A major highlight of the night was guest soloist Assistant Professor of music Claire Salli, who performed Alfred Reed’s “Ballade” and Bernhard Heiden’s “Diversion,” a solo saxophone feature accompanied by the band. The piece stood out for its contrast in mood and allowed different sections of the ensemble to be heard clearly. TAMIU student Emily Gonzalez said “Diversion” left a strong impression on her.
“I was really impressed by everyone and each played instrument,” Gonzalez said. “I could hear every instrument shine on its own.”
The concert continued to build in intensity, with audience members noting how the performances grew more emotional as the program progressed. Guest attendee Ivan Téllez, who watched his son perform, said one moment stood out the most.
“I really liked how the concert built up, but the last performance stood out the most to me. It felt more intense and emotional compared to the others, and it honestly gave me chills,” Téllez said.
The program also included Julie Giroux’s “Riften Wed,” a more lyrical selection, before closing with the powerful finale from Shostakovich’s “Symphony No. 5.”
